Volume magazine - Concept For example, in the Wasted compilation 's companion booklet, several short blurbs entitled "The Diary of Dave Stewart's Beard" are written from the Several double-CD compilations were also released in parallel with the series, including the Trance Europe Express and Trance Atlantic series, a mix He doesn't turn over anything of note before we have to go. But he looks happy simply to be there, searching for he Great Balls Of Fire - Various - Dont You Step On My Blue Suede Shoes know what in a place that just might have it.
He's near home, in the kind of old record shop where masterpieces of Abuelita - Jerry Masucci Presents. Various - Super Salsa Greats - Vol. III Fania Records catalog originally thrived -- and where they still sometimes hide or hibernate or just hang out, waiting to be heard again.
To be part of it now, to watch Fania labels spin on records in front of me… I can't believe I had a chance to mess with this stuff. Even still it blows my mind. He talks about it with a slightly awed tone reserved for a project for which he listened back to his past and literally held history in his hands. Have you ever seen an old studio-session tape reel? Ever picked one up, marveled at its weight, stared into the gleaming black plastic spooled around its center?
Joe shows us one in his office. It's also the site of a personal studio where he works on pre-production stuff and stores some of what he claims -- quite convincingly -- is a collection of more than a million records. But it's something in a battered cardboard box that he's holding out for inspection. Inside is a round metal reel wrapped with many feet of rolled magnetic tape, and a crumbling "Track Report" sheet from some matter-of-fact day in the s.
Different numbered columns are written in with pencil: "bass," "guitar," "sax," "conga," "bone" trombone, it turns out. A scrawl of names appears in the upper right-hand corner, with some cryptic notes marking other important parts of what seems to have been a rather hot and complicated Latin jam.
It's kind of… incredible. It was miraculous that they were still around, and the history of all this stuff is just amazing. When I opened these multi-tracks up, the pleasure of having a full-on string orchestra from back in the day that you can actually work with…" That's Joe again, drifting off on a thought he can't quite complete with words.
He's talking about the many archival tapes he got his hands on -- old multi-track tapes from the Fania catalog with individual parts that could be isolated and then remixed, reimagined, recombined.
A lot of them Abuelita - Jerry Masucci Presents. Various - Super Salsa Greats - Vol. III perfect as they were. But the mentality of the '60s and '70s, when it came to music, people were just creating as artists—from the soul, from the heart. They took a lot of the technical stuff for granted. They were making music, not thinking about different mixes or anybody touching their art in the future.
Fania is very sacred to the Puerto Rican and Cuban heritage, so it was important that it get taken in by the right hands. We were bombarded with musicall kinds: rock, Top 40, African music. We were fed everything at once. And Latin music was flying all around, in the neighborhood, up from the basement, through the windows, in the parks. My mother would turn us on to all the Latin jams. Each track was approached and assembled differently, each on its own terms. As Joe says, Abuelita - Jerry Masucci Presents.
Various - Super Salsa Greats - Vol. III songs were edited, some were time-stretched… many parts were re-recorded… some new parts were recorded on top. Joe is here to do some tracking with his brother Jose, a celebrated percussionist in his own right who augmented many of the drum parts on Hammock House.
The session feels like a family affair, which seems to be the case wherever Joe goes even when it's just him alone with three strangers following him around. Both Claussells are wearing headphones, with congas between their knees.
Jose lays down some spirited syncopation, grunting and humming while he plays. Joe sways from side to side, lost in music while figuring out where the new drum lines will fit. Both spend much of their time beneath the bright studio lights with their eyes closed, Unravel - Soft Sleep - Soft Sleep EP they seem to be able to see each other -- or at least hear each other as they work their way into a sound they both grew up learning.
To play these old tapes and listen to all the excerpts with sounds of people saying 'Take 1' and Abuelita - Jerry Masucci Presents. Various - Super Salsa Greats - Vol.
III cocaine or whatever those guys were doing, you get blessed by that time. Maybe some of them might hear this and get turned on. Historically, all of this music originated in Africa and then, through the movement of the slave trade, found itself in different parts of the world.
It was important to me to establish the root of it. I used a lot of natural forest, jungle, and animal sounds to give it a sense of walking in. Then a flute comes in, and then it goes heavy into percussion and piano -- like at a tribal gathering. What I kept from the original multi-track was the flute, some of the percussion. Everything else I reproduced: the jungle sounds, more percussion… The story begins in Africa and then crosses into the new world.
I produced it from scratch. My reason for suggesting we use it was to give this project a legitimate sense of today, of something new and something now that fits into the idea of "hammock house. It was just a demo then; it originally had more of a hip-hop rhythm, so I called in my brother Jose to help me revamp it into a more Latin-flavored Abuelita - Jerry Masucci Presents.
Various - Super Salsa Greats - Vol. IIIwith the end result being a two-part story traveling from one into the other. Jai freaked out when I told her she was going to be on this. I used to jam the original of this all the time back in Abuelita - Jerry Masucci Presents.
Various - Super Salsa Greats - Vol. III day, but not many people know about it. So I thought, if this project is about a DJ exposing certain lost or undiscovered music to the world, then I have to use this.
It was such a great production originally that it really needed nothing. But from my original attempt to beef up the groove, I added more percussion and new Rhodes electric-piano lines to compliment the original Rhodes chords.
The new hand-drums are my brother playing alongside the original parts by Santamaria, who was a great percussionist from Cuba. Because this was recorded in the late '60s, a lot of original parts like that were buried in the mix, I guess because they were produced more for home listening.
As a kid, I remember how everybody really looked up to her. The vibe that surrounded her was really profound. This is a song sung in Yoruba -- religious African music. I just tried to give it a more modern edge, by adding a bass line and more percussion, both produced by my brother, and some sound effects layered and weaved throughout with bells, whistles, and African kaba.
Then I brought in a piano player, Bennett Paster, who jammed for a while, having a rhythmic call-and-response conversation with the music and really complementing the melody. He's a monster! This is from an album he made in for Columbia. Everything was already there, so I decided to do a more traditional remix for this, kind of like they did in the '70s, where remixers would manipulate the existing tracks from the multi-tracks and rearrange parts that were already there.
I added some percussion, but there was already a lot of percussion there, and Palmieri had such great musicians playing for him. Aside from that, he's one of the few Latin artists who used lots of delay and reverb, so I tried to give the whole thing a dub feel.
The guitars are echoing, the horns are echoing. There's a lot of reverb, to give it more space and what I like to call freakiness. Ray Barretto was such a special musician in my family life, as well as in the Latin music world.
I'm not crazy about this song in particular, unless it's Bob Marley's version, but there was something about this that made me pick it. I wanted to make this a tribute to Ray, so I created a whole new intro.
Everything up until the actual "Exodus" chords was created Abuelita - Jerry Masucci Presents. Various - Super Salsa Greats - Vol. III as a tribute. Let's Eat! Anabacoa 1 Orq. La Solucion 1 ORQ. Camilo Sesto 1 Tributo A Luis Miguel En Salsa Vol. A - Sabroso Guaguanco Vol. Popular Posts. The concert was filmed and released on DVD. The program, "Salsa Gorda", featured Salsa music from the s and s. In May Santiago was part of the singers and musical colleagues that participated on a tribute concert dedicated to the 45th anniversary of Tommy Olivencia musical career.
Santiago, who adopted Marvin Hagler 's "Marvelous" nickname both because of their common first name and the fact that, at one time, his head was shaved bald like Hagler'shad begun conversations to join a Fania All-Stars comeback as a tribute to Celia Cruz by the summer ofbut then, he became severely ill.
Santiago's Behind The Wheel - Depeche Mode - 101 started taking a toll on his health during the s. In October Santiago had his right leg amputated after having three toes amputated in three separate occasions a few months earlier.
In November Santiago suffered two heart attacks followed by a Abuelita - Jerry Masucci Presents. Various - Super Salsa Greats - Vol. III kidney failure in February Santiago's name was placed on a waiting list for I Remember It Well - Larry Jon Wilson - Let Me Sing My Song To You kidney transplant but was not able to Pablo Casals, Mieczyslaw Horszowski, R.
Schumann* - Adagio Und Allegro As-dur Für Violoncello Und Kl a donor. In the Villa Palmeras neighborhood in Santurce, there is a square named "Plaza De Los Salseros " honoring the memory of distinguished Salsa music luminaries.
In Decembera bust Sculpture of Santiago and a plaque were added to honor his music legacy. Santiago left a legacy of songs still heard and popular phrases still in current use in Puerto Rico. After his religious conversion, however, Marvin affirmed that the only substance in his life from that moment on, besides the insulin he needed daily for his diabetes, was "Cristomicina"a portmanteau of the name of Christ and erythromycin.
From Wikipedia, the free encyclopedia. Puerto Rican singer. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
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6 Replies to “ Abuelita - Jerry Masucci Presents... Various - Super Salsa Greats - Vol. III ”
Jerry Masucci Super Salsa Singers Vol. Iii Fania Lp New Old Stock Sealed. $ Jerry Masucci. Jerry Masucci Super Salsa Singers, Mi Debilidad, Anacaona, Sonido Bestial Jerry Masucci. Cdz $ Jerry Masucci. Jerry Masucci Presents Super Salsa Greats Vol Iii Fania Cd Puerto R. $ Willie Colon. Willie Colon And Ruben.
Jerry Masucci Presents Super Salsa Singers Vol 2. $ Tweet. l View fullsize image Ver imagen a tamaño completo. Various. Jerry Masucci Presents Super Salsa Singers Vol 2. Tweet. Buy MP3/ $ Album and has not changed much since Joe bought his first piece of music when he was a boy (actually, the album III, Led Zeppelin).
Jerry Masucci es un artista que nació en en New York (City). Murio en , a la edad de 63 años. Ha comenzado su carrera artística en con Jerry Masucci Presents Salsa Starring The Fania All Stars. Luego continuaría con Salsa Greats Vol. 1 en (ese mismo año).
Various Artists: Jerry Masucci Presents Salsa Greats Vol. 2: FANIA JM Bobby Valentín: Marvin Santiago & Bobby Valentín: FANIA JM Various Artists: Jerry Masucci Presents Salsa Greats Volume III: FANIA JM Various Artists: Bailables Del Año Vol. 1: TH Records TH Super Duelo Musical Vol. 2: Salsoso.
View credits, reviews, tracks and shop for the CD release of Super Salsa Greats - Vol. III on Discogs.
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